If you’ve been practicing your brush lettering, you might be starting to think of ways to get creative and add variety to your style. I have a list of ten examples here to get you started on some ideas.

This is your typical style with consistent use of thicks and thins within the letter forms and keeping a consistent baseline with the words.

Here we start to play with the baseline a bit to exaggerate those curves and get a playful feel to the letters.

Go at an angle with all your letters. You can use this with a consistent baseline or with a bouncy baseline.

Go tall and narrow with this style. Exaggerate the height of your letters and bring them closer together.

Thicker and shorter is the name of the game here.

Flourishes are not my strong suit, but they can add an extra swirly touch.

Set the letters relatively farther apart from each other than you usually would.

Keep your brush pressure steady to try to make all the lines thin in your letters.

Same idea as the delicate monoline, but we’re also adding a bouncy baseline.

This one’s not a script at all and takes some practice to form totally different letter shapes.

Experiment with all the styles and mix them up to see which ones you enjoy the most. Participating in a lettering challenge will give you plenty of excuses to try them all out. Check out the monthly Brush Letter Practice Challenge here.

Showcase your brush lettering skills and get to know other who share your love for brush lettering.

How to join the challenge for free:

1. Download and/or print the prompt graphic for this month.
2. Post this graphic on Instagram or Twitter to let us know you’re joining along.
3. Every day, share a picture or video of your brush lettering on Instagram, Twitter or Periscope using the hashtag #brushletterpracticechallenge.
4. Check out other awesome people using the hashtag and leave them some likes and comments!

Download and Pin the graphic below!

Click to tweet: I’m joining @randomoliveblog this month for the #brushletterpracticechallenge. Find out more at http://bit.ly/blpchallenge

How about some extra guidance?

I’ve created a set of traceables to help you practice all of this month’s prompts.

Downloadable, printable, traceable pages to get your brushy letters looking smooth. Also comes with extra lined paper.

Looking for the original Brush Letter Practice Guide with over 250 printable pages and a structured 45-day practice schedule? Click here.

Today we’re going to look at three basic shapes that form most of the letters of the English alphabet.

These practice pages are from the Brush Letter Practice Guide. Get more details here.

The downturn consists of a thick stroke down followed by a curve and then a thin stroke up. Start with heavy pressure at the start of this stroke and then decrease pressure as you approach the turn. (Think of when you’re driving a car, you start to slow down just a bit before you get to a curve so that you don’t overshoot and miss it.)

The upturn is a thin upstroke followed by a thick downstroke. Pretty much an upside-down U (which I like to call a hump). Start with light pressure at the baseline, work your brush upward and then turn and apply more pressure. (Again with the car analogy, after you ease into a curve and hit a straightaway, you hit more gas.)

Last up for today is the circle. (I’ll tell you that all these curves and no angles is tough for me too – practice is key!) For the circle, we start at the top and ease into heavy pressure for the downstroke, gently ease up as you approach the turn, and then use a light upstroke for the rest of the circle. Keep practicing until your circles look consistent and aren’t totally lumpy.

Interested in grabbing these practice sheets for yourself? Find the complete Brush Letter Practice Guide here.

Click to tweet: Learn to brush those basic shapes with @randomoliveblog

Did you know I used to be an extreme couponer? I didn’t have bomb shelters full of shampoo, but I did have over 30 boxes of General Mills cereals in my one-bedroom apartment once upon a time.

What in the world does that have to do with brush lettering?

I’m letting you know that I’m extremely frugal and carefully consider most of my purchases.

When I’m starting a new hobby, especially one that involves practice (and initial screw ups), I don’t want to feel anxious about “wasting” really pricey supplies.

The flip side is that sometimes you get what you pay for.

I’ve going to save you a bunch of time and heartache here by just telling you what worked for me in my brush lettering journey.

Paper

For practice with bristled brushes (not felt tip brush markers!), I use any cheap paper lying around. The cheapest copy paper will do just fine for practice. This is not for precious works of art.

Want to get even more frugal?

• Find paper that already has printing on it. If you have access to the office recycling bin, this is the best place to scour. (Um, maybe in the early morning before your co-workers come in).
• Use old newspapers or phone books and practice on the sections that don’t have many pictures. Your brush lettering can still be seen on top of the text of the newspapers.

Brushes

My technique is to start big to get the muscle memory formed and then practice your way to smaller letters.

To start, I use a round watercolor brush in size 6, then size 4, then size 2.

Using synthetic bristles lets the ink or paint flow smoothly out of the brush. Mine are from Blick Art Supply, but you can find these anywhere. Here are comparable brushes on Amazon.

Another brush that is a starter kit essential is the Pentel Aquash Waterbrush. The Medium size is the best choice if you’re only buying one, but I like to buy the three pack with three different sizes.

Ink or Paint

My favorite black ink to work with is sumi ink. If you have a Daiso nearby (a Japanese dollar store), check to see if they carry these bottles of black ink. This is the most affordable source I’ve found. If you don’t have a Daiso around, you can get sumi ink online too.

Do I just use the ink straight up? No. For brush lettering, I dilute the ink with water. This keeps the ink flowing smoothly without any dry patches. It’s typically a mix of 50% ink and 50% water, but not an exact measurement. I mix the ink in small jars so I can put the lid on and save it

What about working with color? You can get some great watercolor paints pretty affordably. (Remember that we’re not aiming for art quality paint here. We’re getting basic supplies for our practice and skill-building.)

I bought these tubes of watercolor paint and this palette from my local Michael’s for about $5 each. (similar products online for the tubes of paint and the paint palette)

For the tubes of paint, I mix these up with water in a small jar and a crappy paintbrush so that I can easily dip my brush while I’m working.

The paint palette is great for when I’m working with the waterbrush.

And that’s it. Really. That’s all you need to get started. And if you don’t like to paint in color (Why? What’s wrong with you?), you can skip the waterbrushes and the watercolor paints.

Looking for a marker recap? Check out this blog post.

What brush lettering tool excites you the most?

Amazon links are affiliate.